Kirylin’s Notebook

May 30, 2006

First steps in a non-jewelry design

Filed under: Creative Offerings — Rebecca @ 10:09 pm

I had to live with my parents for a couple of years not so long ago. Being around that house is often good for being inspired to do a million things. At one point, Mom was trying to prepare for a meeting, and was considering making goblet tags to be used to mark everyone’s coffee mugs.

I had acquired a wire jig not so long before, so I pulled it out and created this tag. Sadly, I haven’t had a chance to use it myself, but I have it in a box, ready to pull out at a moment’s notice. The entire wire was shaped by me.

These days, I still make the tags, but I buy preformed rings because I like the tensile strength of the wire, and the simple closure.

May 23, 2006

To eBay or not to eBay

Filed under: Creative Offerings — Rebecca @ 10:10 pm

Last week’s 99-cent sale didn’t go over particularly well. I’m a bit baffled. I’ve done a ton of reading at this point on how to make eBay a successful outlet for jewelry, and at this point, I’m starting to wonder.

One of the things always on the list of what sells on eBay is jewelry, and the rumor is that my pieces are pretty. Somehow, I think that should make the whole combination a successful one, and I just haven’t found the right blend of the two to make it work out.

Then, I stumbled on this post by someone who works in one of the drop-off franchises, and they’re saying jewelry is the number one item that sells poorly on eBay. The reason is understandable, but still shouldn’t lead to a complete failure. Some people who buy jewelry would prefer to see it for themselves, to hold it and make sure it’s what they’re looking for. It’s for these people, though, that artisans like me have implemented a return policy.

Mine is fairly simple. You have thirty days to decide if the piece is what you were looking for, and then you can return it to me for a full refund. My only stipulation is that the piece cannot have any obvious signs of wear. It’s just a way to help allay that fear that the buyer will be stuck with something that wasn’t what they expected. I hate it when that happens to me, and I’m not about to put those who are kind enough to support my jewelry design habit through it.

I’m still trying to find time with my overbooked web guru to figure out a better shopping option through this site, but it’s going to be a while in coming. In the mean time, I’m really not sure what to do next.

May 9, 2006

The charming Italian charm bracelet

Filed under: Creative Offerings — Rebecca @ 10:12 pm

A friend recently moved to California. Before she left, she gave me links from her Italian charm bracelet watch that she didn’t want. I’ve seen these bracelets everywhere, but they’ve never really held any interest for me. She dragged me on a shopping trip to get new charms for her bracelet, and I still didn’t get terribly interested.

I now have these five or six charms and am experimenting with them, learning how to take them apart and put them back together. Honestly, they remind me of pop beads and click jewelry that I enjoyed playing with in middle school. Limited design capabilities, fairly predictable results. That was great when I was eleven, but I fail to see the fascination for an adult.

I’d much rather have my chain charm bracelet with its sterling silver, three-dimensional charms dangling and jingling from it. Somehow, that just seems a more cheerful memento than a two-dimensional bracelet with vague statements and images in them.

May 5, 2006

Sometimes, it just makes sense

Filed under: Creative Offerings — Rebecca @ 10:15 pm

I think I mentioned the other day that my mother sent me the most recent issue of a wire jewelry magazine that I enjoy reading. This particular issue was no different, but for a very unexpected reason.

A few months ago, I saw the Helm’s chain for the first time in a bead shop in Woodinville. It was on display in one of the class cases. I’d never seen anything like it, and I spent several minutes trying to look at it from different angles, memorizing it as best I could. When I got home, I pulled out my jump rings and created a section of it.

I remember that afternoon well. It’s amazing that I’m even willing to go near the Helm’s chain after that. It took me three or four different attempts to figure out how to build the pattern, but I finally settled on what seemed to make the most sense and create the fewest headaches.

Flippin through the pages of the magazine, I discovered that one of the projects was a Helm’s chain. I immediately started reading the pattern. I have a tendency to make things harder than they need to be when I’m problem solving, but this time, I apparently got it right. The pattern in the magazine used the exact same method I came up with months ago! It was a nice feeling!

May 2, 2006

That’s a Byzantine chain…no, I mean a Bird Cage chain…

Filed under: Creative Offerings — Rebecca @ 10:17 pm

One of the things I’ve noticed since I started making wire jewelry is that no chain has one agreed upon name. I’ve had some fairly amusing run-ins with people who believe otherwise, but the simple fact of the matter is that many of the more complex chains have more than one name.

The only exception I can think of is the cross chain, which always seems to be the cross chain.

The first chain pattern I learned was one that in my book was called “Byzantine”. I actually had a byxantine chain scored very low in an arts cometition one time because the judge thought I had misidentified the pattern. This particular chain also goes by the names “bird cage” and “jester box”.

The next chain pattern I learned was the aptly-named “Box”. This chain is fairly amusing, because in its list of other names are King’s Chain, Queen’s Chain, and Knight’s Chain (if you are into medieval recreation).

I’m working currently on learning the Helm’s Chain. I saw this one in a bead shop, stared at it for several minutes, and then came home and made it. My mother recently sent me a jewelry magazine she thought I’d enjoy, and nestled in the glossy pages was a pattern for this same chain, but they called it the Parallel chain.

Then there are the Persians, which I have not successfully learned yet. The full Persian can also be found as the Foxtail, and I believe that the Half-Persian also masquerades as the Snake. Both are very beautiful, and very challenging patterns!

I keep to one designation for each chain, and that’s the name I learned the pattern under, but I try to keep myself aware of the other names for each pattern because I never know what name a customer is going to know it by.

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